Age: 22 Location: Southern California Producer / DJ
In the year 2000, DJ EAR began producing original and remixed/arranged songs for family and friends. In 2005, he began work on his first 2 Original Mini-Albums (6-tracks each).
For the next 4 years, DJ EAR produced over 200+ songs and 12 Albums ranging from Trance and Techno, to more Underground genres like Hard House and Happy Hardcore. On rare occasions, DJ EAR has even been asked to produce songs for use in non-profit Fan Games.
By the year 2007 DJ EAR began DJing at several House Parties and online radio stations. With the help of local professional DJ’s and others - DJ EAR continues to expand his skills and improve.
Moris Code is a mixture of Electronica, Techno, Breaks and Other styles produced by Drew Wood from Bowling Green, Kentucky. All songs are available for free download. Just click the info button while listening to a song you want to download!
“Live the code…”
Influences
Bassnectar, Basshunter, Infected Mushrooms, Megara, DJ Lee, Sphongle, Federico Franchi, Hennes & Cold, Ministry of Sound, Daft Punk, Scarf, Voodoo & Serano, DJ Mangoo, DJ Tomcraft, Sean Tyas, Blutonium Boy, Alice Deejay, Alphazone, Armin Van Buren, Dj Tiesto, ATB, Benny Benassi, Blumchen, Cosmic Gate, Covenant, Rockell, DJ Caffine, DJ Encore, DJ Prezioso, DJ Roland Kenzo, DJ Sona, DJ Toxic, DJ Virus, East Clubbers, Eifel 65, Solynshko, Faithless, Fedde Le Grand, Flutlicht, Global Deejay’s, God Module, Gunther, I Am X-Ray, Imperative Reaction, Jimmy Fallon, Lords of Acid, Night at the Rozbury :D, O-Zone, PPK, Pulsedriver, Bubbles, Lucas Prata, Hybrid, Warp Brothers, Darude, Crystal Method, Prodigy, Underworld, Aphex Twins, Da Teckno Warriors, Aquagen, DJ Shwede, DJ Ulez, Supreme D, Tune Up, DHS, Vengaboys, and many more that i dont have the name of,lol.
Copy the code below to add this Moris Code banner to your myspace or website.
Planets, like the Earth or Saturn,
Stars, like the Sun or Sirius,
Galaxies, like the Milky Way or Andromeda …
Satellites, like the Moon or Titan,
Asteroids, like Vesta or Ida,
Comets, like Halley or Shoemaker-Levy 4 …
Telescopes like the Hubble or the Arecibo Observatory,
Spacecrafts like the Voyager or the Galileo,
Space Stations like the ISS or the Mir …
Astronomy. Music.
Two of my most appreciated hobbies combined to create a musical project I want to share. And with this project, I want to express my own musical vision of the infinite number of objects that exist in the Universe, In Space.
I stumbled into DJing at the turn of the millennium hoping to write trance music. It turns out writing dance music on two record players is pretty difficult so I bought Fruity Loops and worked my way up to Pro Tools. I play synth, piano, ukulele, and sing a bit. Will master the trap set one day, after I finish ruling the world.
Renowned archaeologist, Ronald Cornelius, recently stumbled across the remains of a new species of dinosaur during a routine excavation along the coast of Oakland, CA. He transported the remains to his nearby home for further investigation. After a night of heavy drinking in celebration of his discovery, Cornelius returned home to a remarkable sight: The fossils had coalesced into two living creatures, apparently due to their close proximity to his extensive record collection. The creatures, startled by his return, stormed into his basement and, in a careless tail-waving mishap, uncovered his collection of fantastic vintage synthesizers and assorted musical oddities. As Cornelius turned to phone the local authorities, he began to hear strange noises emanating from his basement. A biting sawtooth bass sound from his old Micromoog, a snare from that obscure Macedonian prog-rock record his sister-in-law gave him, talk-box gibberish, his Wurlitzer, claps, snaps, feedback, and the unmistakable chant “boss-a-saurus, boss-boss-asaurus”.
Egon Brainparts and Negatron Johnson are Bossasaurus. They actually both have mothers with fingernails, belly buttons and opposable thumbs. They did not coalesce from a heap of bones. They make genre-defying electronic music using a smorgasbord of analog synthesizers, effects, unique instruments and self-collected micro-samples. They don’t use prefab loops. They don’t sample dance hits from 2001, loop them, add a snare or two, call it “Stronger” and then strut around like they’re the hottest thing since sliced bread. They hate on bad music. They make good music. They are meticulous about what they do and listeners across the world are taking notice. Recent reviews such as the following from vimby.com further validate this belief, “If you like funk/jazz, electronic/banging, hip-hop/trip-hop or old school/futuristic sampling, then you have great taste in music and are going to love this group…They are surely all of the above done to absolute perfection.”
Bossasaurus is currently busy putting the final touches on their debut album. They are wrapping up recording the song “Guidance” with Weightless records emcee Illogic, and are exploring collaborations with other talented artists for their upcoming release. They are working with clothing designers to start manufacturing their own line of hoodies, complete with teeth, eyes, and anatomically accurate plates running down the back. Bossasaurus has received enthusiastic responses from a diverse array of fans spanning from Aesop Rock-reciting hip-hop heads to glow-stick twirling Justice groupies to crate-digging DJ Shadow fans. Emmy-award winning producer Asa Taccone of SNL’s Dick-in-the-Box fame called Bossasaurus, “the hottest music I’ve heard in a while man, seriously”. And who knows, feel around on the side of your head, and if you have ears you might like them too.
Nice to be here with you on this site. Ran across it on a twitter post. Thought to myself, cool.
I love all kinds of music. If you would like to check out my music, listen to my page right here, or check out my website www.bubblesmusic.net
I’ve met on-line and in person so many wonderful people! Listen up you young folk, you have it easy with all this wonderful new technology that gives me brain damage. I started playing an old upright piano and an old Conn organ at the age of four. Vinyl at the time, was a luxury and all tapes were reel to reel. I was born partially blind so my ears developed much more than my eyes and I have this odd way of memorizing and reproducing music. I began formal training when I was 7. My first teacher, a retired harpist, helped me compose and publish my first piece of music at age 10. I stayed with training in school and with private teachers and have won awards for performances. I stuck with training, taught myself guitar, recorder, and discovered electronic keyboards as I began college. I began to play in bands and with other local musicians during college and after graduation, began working in the visual arts field where some of my art has been used commercially. I learned old school recording, including sore fingers and lots of tape. I purchased my first synth (a DX 7 with the band) and a Roland D-20 soon after and began the process of recording and sequencing on my own. I learned to play and adore handbells in later years in church along with guitar and my synth. At this time, Hearts of Space began it’s radio broadcasts which I listened to religiously and still do but only via the computer now as it isn’t broadcasted here. I began collecting that music as fast as I could. I now listen to Alpha Rhythms, a local broadcast that has introduced me to more music and will be playing my music as soon as that album is completed. If I have the chance I also listen to Echoes another broadcast. My music is a compilation of pieces composed as late as 28 years ago to the present day and is a reflection of my life’s experiences. As ordinary life sometimes interferes with this type of hobby, (I’m not quitting a day job!:P) I’ve had dry years of surviving life given setbacks, and the arrival of my greatest creation, my son, who demanded my time and attention. I never lost my music, nor my art, never gave up, just put it on hold. Thank you VS23 for getting my dream launched and running
Now that I have the means, emotional support (Love you, Dave), equipment and the time to complete my projects, I can finally finish what I started and get back to where I need to be so I can feel happy and fulfilled. I finally purchased (after saving and getting a windfall) 2 new Fantom Roland Keyboards, an A6 and an Arturia to go with my original older model Roland D-20 (still works :D) and now a Kaossilator for my pocket. I own both a twelve and a 6 string vintage Yamaha guitar, two wooden recorders, and various other equipment and toys including Logic Pro and Garage Band that one would find in a musician’s home. (Like Rock Band that interacts with my equipment :P) I have attempted to play every instrument in my lifetime so I could have a feel for their sounds and that includes some of the more stranger instruments. (I’ve always wanted a Didgeredoo.) Certain songs I write call for pure patches as in orchestral instruments and others I use various techniques to blend and alter pre-made patches with created ones. As I get things properly through the legal channels and copyrights, I’ll be uploading the music as fast as I can. I’m open to digitally mastering tips and tricks and patch creation tricks as I’m pretty much old school but I’m a quick study. A very quick study. I do tend to sequence old school fashion for organic flow but I’m still teaching myself a lot of new tricks, including html. I’m open to listening to a lot of different styles of music and believe me I learn from them. If I really enjoy your tracks I’ll say so. When chatting with me via any boards, mind your manners and I won’t call you an idiot. If you want, you can actually talk to me on xbox live under the gamertag silverberserker. Just ask for the ms. silverberserker or my stage name. I’d love to chat. XD
Band Members:
VÆRNA is my artistic pseudonym (and for those who know my real name, know that I hate my real name) that I’ve had since I was 20. It was bestowed on me when I began playing D&D and the name has stuck. It is also my visual artwork trademark. I even had my TM on my car plate until it became too expensive. I’m a mom, hold a full time job, might be considered an old fart, but music (and art) is my true passion, especially ambient and ambient trance. Most of the kids call me Nate’s Mom or the cool mom. What I read and what my interests are can also be found at http://www.shelfari.com/vaerna. You may also find my music videos at Vaerna6 on UTube.
Influences:
Anyone played on Hearts of Space radio, our local broadcast of Alpha Rhythms and Echoes. ELO, Kraftwerk, Animusic, Alan Parsons, Todd Rundgren and Utopia, Mannheim Steamroller, Tangerine Dream, Constance Demby, David Arkenstone, Ray Lynch, John Serrie, Chris Spheeris, Yanni, Synchestra, Robert Rich, Steve Roach and his collaborators, Ray Lynch, Brian Eno, Enya, Clannad, Peatbog Faeries, Andreas Vollenweider, Vangelis, Pink Floyd, Blue Oyster Cult, Rush, Genesis, Peter Gabriel, Patrick O’Hearn, Asia, Dance Trance stuff like Daft Punk, Enigma, Delerium, Mythos, and a growing list of wonderful musical friends and new bands. I’m discovering new stuff to listen to every day.. Classical and cinematic soundtracks which include lots of John Williams and Danny Elfman for modern as well as the composers for the most popular movies. I was raised on the Classics, like Mozart and Beethoven. I enjoy and have performed musicals new and old. Big Band, I love that old music (played it ad nauseum with my dad) Jazz like Herb Alpert and older bouncy type jazz. Acoustic stuff like Red Sky Beat, Craig Chaquico and Liona Boyd… OMG my list is endless. I’m a music pack rat. My latest influence is VESL who’s Nephilim track inspired Dragon’s Wings, DecibelFlekx’s Pretend to Bleed track and Vapah’s art sparked Be Mine or Trance, and especially SKAVEN who wrote music for Bejeweled 2 and Bejeweled Twist, Bookworm and other game titles and composers of the wonderful music from xbox games such as Lumines, Halo, Mass Effect, Gears, Command and Conquer, Final Fantasy, Castlevania and Transformers and others. I will listen to the older and newer country tunes but it’s so overplayed around here that I’m tuning it out. About the only music I really avoid is what I consider to be grating, annoying, attitudinal, overly nasty lyrics or content, too loud, (that would be death metal or screamed lyrics or annoying vocals like Bob Dylan(he’s a good songwriter, I just don’t care for his voice) adapted rap from previous rock hits) or just plain overplayed where I get burned out. However, I’ll listen to about anything at least once. As I gather more and more friends, the more influences I get. It can get overwhelming at times. Books and Book covers. If stories or artwork hit me the right way I’ll write a song just based on the cover or tale alone. If someone else’s music or art hits me the right way I’ll get catalyzed and write in that genre. If I have an experience or go somewhere that hits me the right way I’ll compose about that. Sometimes someone else’s song can cause me to write a hook or lead line. I’ve done it professionally for recording but now I have more fun just playing along.
“Music is more than you expect it to be. It is a state of mind. A statement.
A position. Don’t let others tell you where to stand, take a stand yourself. Life your dreams and fight for your beliefs. You are the mainstream!”
Chris - Lead of DRC
Digital Rhythm Collective
Past meets Future
The Digital Rhythm Collective combines retro-style electrowave music with a very NOW sound. With a professionel background in composition and members that are in the business of electronic music for over 20 years, DRC was inspired by various trends in electronic music that have emerged over the past decades. Though being located in Germany’s capital of electronic music, Frankfurt, the Digital Rhythm Collective is not trying to imitate other artists, but to bring a very personal style to electronic music. Listen yourself!
Dub Voiture is a electronic music project by Teodor Matz (Demseywoo) and Julian Marké the bass player in Pladask.
Band Members:
Teodor Matz aka ”Demseywoo” and Julian Marké + William Colling live drummer…
Influences:
Kraftwerk, The Zombies, Camouflage, B-movie, Bronski Beat, Jungle Brothers, De La Soul, Utah Saints, Blur, Snoop Doggy Dogg, Dr Dre, Mos Def and Talib Kweli are Blackstar, Kanye West, Jay-Z, Bassomatic, Vitalic, Stereolab, Sly and the Family Stone, Pet Shop Boys, NWA, Wu-Tang Clan, The Jam, The Clash, Depeche Mode, Primal Scream, Digital Underground, The Libertines, Velvet Underground, JAMC, Demseywoo, Pladask….
Forward is a bipedal primate of the mammalian species Homo sapiens. Consisting of between 65-90% water, his mass is 99% made up of oxygen, carbon, hydrogen, nitrogen, calcium and phosphorous. He uses his upper limbs and highly developed brain capable of abstract reasoning, language, and introspection to interact with an electronic machine that is able to store, process and manipulate data. His ultimate aim when tinkering with this electronic machine is to produce vibrational mechanical energy that propagates through matter as waves which can be percieved by others of his ilk through their audio sense organs.
“D-BEATS FOREVER– TO GOD –”
Virgin Islands (British)
About DJ WANG–
Yo guys, DJ WANG here and i just wanted to say something very important… PLAY THE MUSIC ON SPEAKERS AT LOUDEST TO GET BEST EFFECT!!!!!!!!!!! I cannot stress further how important that is. Use the speakers. Use the volume. And oh what else? DANCE!!!!!!!!!!! ~Bio~ Current School: PRHS.. Hey guys had a little time on my hands so i decided to do this.. : Dj wang, who is otherwise known as David Wang was born in Nigeria and currently resides in the USA. Since the age of 13 David got hooked on dance and rnb. He could never stop listening and so.. he just never stopped :p. By the age of 14 he was introduced to beat-making software, *********, and started making beats. right now he has to study tho… by the way David is not black, he is a mix of chinese and indian :p. — : short … i’ll add more later… in the mean time listen to some of my songs, or if their sucky, go listen to some of the great artists listed on my influences section!! :thnx and have a great time!
Dubotic a.ka. Rob the Robot is a 38 year old dubstep producer from Perth Western Australia. A raver since 1992 but discovered Electro and Breakdancing in 1983. He has been producing electronic music since 1994 and has done a couple of live PA sets at few raves, one of which was supporting Carl Cox at the first Science Fiction Dance Party here in Perth back in the late 90’s in the Perth Electronic Band C.S.U.
About A Perfect Vacuum
Alternative / Electronica / Minimalist
From: New York, New York
There’s something compelling about nothing — of complete absence. Perhaps it’s because “nothing” is a theoretical construct rather than reality. There can not be “no thing,” since its thingness is always signified in absence. There can be no perfect vacuum, even in the farthest reaches of space, since knowledge of its “no-thingness” inevitably inserts a thing. Even something as mundane as four minutes and thirty-three seconds of silence contains non-silence: the tick of a watch counting down the exact time, the sound of audience members fidgeting uncomfortably, the hiss of a vinyl record, the hum of the electrical ground loop. Even the emptiness of space — that perfect vacuum — contains particles as mundane as molecules of carbon and as sublime as photons. This Perfect Vacuum resides in the fullness of air; compressed, vibrating, woven into sounds. I hope to fill it with sounds that explore the complexity of simplicity and, that can be heard rather than listened to, but when listened to will reveal itself.
Band Members:
Matt Friedman: Keyboards, devices, bass, guitar, flute
psychedelic drugs opiates alcohol pavement the dead bob marley phish,
elliott smith pink floyd madonna jimi nine inch nails sugar zeppelin,
dylan neil young swervedriver mazzy starr john medeski jerry garcia spiritualized air…
Jason Nooning aka Dj Gyrus was born in 1981, in Philadelphia, Pennsylvania. Having been born the youngest in a family of three sons, Gyrus quickly developed a growing interest in his elder brothers passion for punk music as he reached his teenage years.
Soon after he turned 16 years old, his elder brother purchased a set of turntables and a mixer, and began to practice and learn how to mix in Pittsburghs party scene. Although he wasnt able to play with his elder brothers decks, Gyrus instantly found the concept fascinating, and practically begged his brother to teach him how to mix, however living on the other side of the state, Gyrus could only visit from time to time.
It wasnt until the summer of 2000, that Gyrus flew to London for something different. Upon arriving in London, Gyrus was delighted to find an awe inspiring club scene in every sense, and after a little networking he managed to get his foot in the door at a Bar/Nightclub called Belushis, which is situated alongside London Bridge, a stones throw from the Ministry of Sound. He started out working in the bar and began purchasing records almost immediately, practicing on the bars decks. A month later when the bars resident dj pulled out, Gyrus was asked to play. From there, Gyrus was offered a residency every Friday and Saturday night, playing 5 hour sets to the bars patrons. Approaching this art form with an appreciation for a wide variety of music, Gyrus began collecting deep, funky and vocal House, 2-Step and Breakbeats as well as uplifting Trance & Hard House. After almost a year, Gyrus decided to pursue a love interest hed met in the UK and moved to Australia to be with her.
Having just left the UKs impressive nightclub scene, Gyrus found Sydneys to be more intimate and close knit. After careful planning and establishing key contacts in the entertainment industry through networking, Gyrus received an invitation to play at Frantic, a high profile event featuring international as well as local hard dance artists. Frantic proved to be a valuable learning experience, not just in terms of endeavoring to impress a much larger audience, but also of integrating ones own personal style into the broader creative theme of each event. After having successfully demonstrated a passionate and creative flair for music, and an ability to work the crowd, Gyrus gained the honour of supporting a number of well respected internationals including K90, Phil Reynolds, Nick Sentience, Ed Real, The Disco Brothers, Vinylgroover, The Knuckleheadz and Skol.
Not long after debuting at frantic, Gyrus launched his first weekly nightclub event, Excess, at Eden Bar. Seeking to not only provide quality entertainment but to pioneer and also educate, Excess was a concept designed to provide a platform that would give talented up-and-comers the opportunity to showcase there own unique sound, play alongside established artists and find their feet in gaining the confidence building experience of being able to play in a club environment on a professional sound system. During its 6 month existence, Excess unearthed a plethora of up-and-coming artists who have since gone on to play at a vast number of Sydneys major weekly events including Sublime @ Home, Frantic @ Gas, Fly @ The Globe and Sounds on Sunday @ The Greenwood Hotel. After the success of his club night Gyrus took a hiatus from djing to focus on furthering his education and establishing himself as a producer.
In 2003 Gyrus setup his own home studio consisting of nothing more than a PC and midi controller which has steadily amassed to the size it is today. Over the past 3 years he has been busy producing and building up a library of tracks to unleash on the public in his newly formed live act. After debuting live at Plastic’s “Fuck Yeah The Event” on March 24, 2006 (ltd edition Fuck Yeah DVDs available) the world will never be the same.
In September 2006 Gyrus entered the Transmission Electratech band competition which granted the winner a set at Sydney’s legendary Transmission Party, main stage, peak time. The competition was stiff with some of Sydney’s top electronic acts competing for the spot. Gyrus won the final held at Home Nightclub and than played at Transmission the following weekend. With sets being booked throughout next year this year is shaping up to be something special.
As of August 2007 Gyrus moved interstate for work committments and is currently residing in Brisbane, Queensland. With the new city comes a fresh influence on his musical style. Electro, Tech, House, Prog, Funk, Hip Hop, Trance & Hardcore are all blending together to bring you something very new, original, and yet unmistakably him. Jason Gyrus has evolved, Expect the unexpected from someone whose motivation is pure passion, an artist emerges.
Influences
My Tunes of course and here goes
Walt, ZANY!!!!, Marcel Woods, Shokk, Guyver, Dark by Design, Infexious/Darren Styles, Tomcraft, Paul van Dyk, Technoboy, Plump Djs, Dj Quest, Freestylers, Marco V, Tiesto, Dj R Fishbone, Blutonium Boy, JK Walker, Marcos, Dj Scot Project, Alphazone, Ferry Corsten, Dave Joy, D10, Steve Hill, ASYS, Sa Vee Oh, Mauro Picotto, Pila & the Sientist, Hellraiser & The Engineer, Technikal, Max Savietto, Kay D Smith, Marc Tall, Yoshi, & the list goes on and on and on…
Right click the link and select “save target as” to DL.
About Jean Anton
I remeber having fun with the good ol classics, 1994 onwards and being completely inspired. all i can remember is i wanted to make some of my own. those days we didn’t have a computer and my guitar was my best friend. Started Dj’ing in a pub in Camden Town (London) 1998 and immediately knew it was for me. I started writing toonz in 2002 on a free version of magix that came with the computer music magazine (rubish version but gave me a taste). I then played around with several studio packages but the one i will swear by is Ableton. My musical journey started with house and techno, then took a turn onto the pshychedelic trance/techno route. For the last 4 years its been mainly house (funky,disco,soulfull,deep,electro). what i play depends on the time of night and the party.
Hailing from Texas, Karen Clark produces a wide variety of electronica music, ranging from techno, trance, breaks and even some drum and bass. Her first release was on the D-Fault Records Compilation, and her track, “Life Of Psy” was featured on Warped Speed Records’ mix CD / Compilation (Dance Floor Detonators, Volume 1).
Stay tuned for updates and new songs in the coming year from this talented emerging artist/ producer.
About Brian Winter
Trance is a feeling, an atmosphere, and an evolution. It is more than big anthemic synth line and sweeping pads, as it is often perceived. I use simple rhythms and textures to create a long term picture. A constant evolution, sometimes obvious, but often subtle. Trance is a playground for the mind, a moving atmosphere for the ear to climb through and engage in.
I began as a DJ back in 1999. After a few years i found that although i loved mixing records, my true interest was in creating my own music. Its taken a few years of dedication, but i am truly happy with my growth as a musician. These days i spend most of my time creating tracks, and every couple of months i mix those tracks onto a disc. Please keep checking my page for updated tracks and show information.
Hello, and welcome to the official Sandstorm music page. Here you will find all sorts of info and music from me, Mark Sandstorm. I update my page often, like meeting and collaborating with others, and am always here to help! Dont be a stranger!
SANDSTORM is currently working in the studio helping to produce an album with DMC Scratch DJ Champion: CUTLOOSE from Australia!
LOOK FOR THE NEW ALBUM IN 2009!
Recently, SANDSTORM has been experimenting with new sounds and styles which will pave the way for new artists and genres many years down the road. Some of Sandstorm’s work can now be heard on New Line Cinema’s HD logo in 7.1 SURROUND SOUND!
Mark Sandstorm was born in the USA, raised in California, and has been performing music and pissing off the neighbors for over 15 years. While only being 27 years old, SANDSTORM has continued to hone his piano skills as well as learning to play many other instruments alongside studying the art of songwritting.
SANDSTORM has attended and now teaches programs at various music institutions and for private parties. No matter what, Mark always continues to learn and grow as a songwriter,composer, engineer, and producer.
Mark Sandstorm is now under the direction and management of legendary Producer and synth programmer, Robert Margouleff!
(Producer of artists such as: Stevie Wonder, N.E.R.D. ,DEVO, SEAL, Depeche Mode, The Isley Brothers, GWAR, The Doobie Brothers, David Sanborn, Oingo Boingo, TONTO’s Expanding Head Band, and more which can be found on his website: Mi Casa Multimedia)
Here is a little tidbit that might help you to understand a bit more about Mark Sandstorm:
Loyal and trustworthy, Mark is sociable, very accomplished and usually very well-dressed.
Shrewd and daring, he is outspoken and even boastful by nature. Most annoyingly - he always thinks he is right … and very often he is!
Sharp and analytical, Sandstorm is a deep thinker and it is a rare occasion when something gets by him. Though abundantly practical, Mark also has big dreams. He is courageous by nature and definately knows how to get what he wants. If thwarted in attaining a big ambition he can become moody and downcast. However, Mark usually recovers from a loss rather quickly. Mark can rarely sit still for any length of time and must always be busy doing something creative or musical.
Although shy and conservative at heart, Mark Sandstorm loves to entertain, and a party hosted by Mark is almost sure to be the most memorable and extravagant of any.
Mark is known for doing anything in his power to keep friends and loved ones happy, and is incredibly disappointed with himself if he fails. For his sincere and straighforward care and concern, Sandstorm is loved and respected by all who know him.
Please help support the music each day!
Tell your friends! I love you all!
Breaks/ Electronica / Drum n Bass / Electro from Philadelphia, PA.
FREE DOWNLOADS
All songs and Dj mixes on this page are available for free download. Just click the info button on the song you want, and then hit File-Save Page in your browser. If you enjoy any of the free Dj mixes, please consider purchasing Dance Floor Detonators Vol. 1, on Warped Speed Records. It’s available by clicking one of the pictures below, or at CDbaby.com
VS23 started Djing in the Pittsburgh party scene back in ‘98, affiliated with Candy Gang
Productions as well as Rise Up!. Later he moved to Puerto Rico, and was the scratch dj for the group, Slimy Nuggetz (Tenet Records). While in Puerto Rico, he performed on several television shows, including “Tarde en la Noche con Luis Gonzales”(The Late Show), “Frente Sonico” (Sonic Front), and the “Sprite Spring Break TV Tour”. Over the years, he’s played shows in Pittsburgh, Cleveland, Philadelphia, State College, Baltimore, Virginia, New Jersey, New York, Puerto Rico, London, UK and on Drum n Bass TV’s radio show on the worldwide web(www.dnbtv.com). Also his original productions have been played on the Mixdown FM Radio show in Nashville, TN, as well as a several online radio stations.
After taking a six year break from public performances, he came back in 2007 performing at Play 3.0 and Play Breaks Edition, and as a result gained a slew of other bookings, and a new crew affiliation- Bad Moral Character. Already in 2008 he’s played on Drum n Bass TV several times (www.dnbtv.com), as well Twisted Production’s “Heaven On Earth”, BMC’s “Dance Out Loud” in March, and “Wardance” on May 3rd, as well as a headlining slot at Rehab Records’ “Tantric” in Virginia on May 2nd. Since May, VS23 has rocked out in the main room at two Tru Skool parties (one of them opening for the legendary Dj Dara), as well as one of the headlining slots at “Pulse” in Baltimore. Closing out 2009, VS23 played at Schmacked with Decibel Flekx, A23P and Darrel Asbury, then rocked a headlining slot at the successful new years eve event- 2009, An Intergalactic Toga Party. In 2009, he played from 1-2 at the Concept Crew Drum n Bass sessions, rocking the crowd for his 30th birthday set. Though Breaks are his specialty, VS23 is known for his diversity in genres, so don’t be surprised to hear some Drum n Bass, UK garage, Electro, House, Techno, Trance, Hip Hop and even Ghettotech. Look for big things in 2009 from this “up-and-comer” who’s no stranger to the spotlight.
VS23 ranked #4 in the DJ LIST for Philadelphia!
If you like VS23’s style, click the pic below to vote VS23 on the DJ LIST.com
Trance | (Electro) House | Hard Dance | Happy/UK-Hardcore
I’m open to listening to a lot of different styles of music and believe me I learn from them. If I really enjoy your tracks I’ll say so. When chatting with me via any boards, mind your manners and I won’t call you an idiot. If you want, you can actually talk to me on xbox live under the gamertag silverberserker. Just ask for the ms. silverberserker or my stage name. I’d love to chat. XD 
: short … i’ll add more later… in the mean time listen to some of my songs, or if their sucky, go listen to some of the great artists listed on my influences section!! :thnx and have a great time! 
